Move over, superheroes — Mahavatar Narsimha just proved that Indian mythology packs a mightier punch. With a staggering ₹210+ crores in worldwide gross and still counting, this animated epic is not just breaking records — it's smashing preconceptions about what Indian animation can do on the big screen.
Drawing from the fierce legend of Narasimha, the half-man, half-lion avatar of Vishnu who tore through evil with divine rage, the film has resonated far beyond temple walls. Powered by rich animation, a pounding score by Sam C.S., and mythos as old as time itself, Mahavatar Narsimha has found love from both devout audiences and global animation fans, thanks to its deep-rooted storytelling and high production value.
Backed by Hombale Films and Kleem Entertainment, and strategically released close to Janmashtami (Aug 15–16), the film is perfectly timed for a spiritual-familial watch — and clearly, it’s working. The holiday buzz has added fire to its already blistering box office run, with multiplexes seeing packed houses and repeat audiences, especially in Hindi and Telugu belts.
But not all is perfect in paradise. The film has drawn flak for its minimal presence in Kannada and Tamil markets, despite Hombale’s Karnataka roots. Fans from the South are rightfully questioning why a movie so rich in pan-Indian myth is getting a language-limited rollout. With over 80 million South Indian speakers left wanting, it’s a curious (and maybe costly) miss in an otherwise masterful campaign.
Still, the success of Mahavatar Narsimha is undeniable — this isn’t just a film; it’s a movement. And as it continues its glorious run, roaring past milestones and touching souls, one thing’s clear: Indian animation just grew up, put on some divine armour, and took the world by storm.
Tags: Mahavatar Narsimha, Vishnu, Narasimha, Indian mythology, Hombale Films, Kleem Entertainment, Sam CS, Janmashtami 2025, Animated Indian film, Indian animation, Telugu cinema, Hindi animation, mythological films, South Indian cinema, box office India, 2025 films, Indian cultural movies, Bhagavata Purana, spiritual cinema