Filmmaker Sanjay Gupta, known for his high-octane crime dramas like Shootout at Lokhandwala and Kaante, turned heads on social media this week with a tweet that instantly caught the attention of film buffs and racing fans alike. In his post, Gupta wrote: “F1: The Movie, Formula 1 racing, Director: Joseph Kosinski, Actor: Brad Pitt, Producer: Jerry Bruckheimer, Composer: Hans Zimmer, Cinematographer: Claudio Miranda, And I M A X. Need anymore reasons to hit the theatres this coming weekend?”
The tweet was more than just fan enthusiasm—it was a filmmaker tipping his hat to a global production team bringing real racing to the big screen.
The film in question, F1, is already making waves for its authenticity and scale. With Brad Pitt playing a seasoned driver mentoring a rookie racer, and real-life F1 legend Lewis Hamilton involved as a producer, the movie promises to merge cinematic storytelling with real-world motorsport insight. Gupta’s tweet taps into that anticipation, but also highlights a growing trend—Indian filmmakers increasingly engaging with and endorsing big-budget international cinema that pushes technical boundaries.
Gupta’s endorsement also draws attention to the powerhouse team behind F1. Director Joseph Kosinski (Top Gun: Maverick), composer Hans Zimmer, and cinematographer Claudio Miranda are all at the top of their game. The film was shot using IMAX cameras capable of capturing the intensity of Formula 1 speeds—up to 300 km/h. Gupta’s excitement is rooted not just in fandom, but in appreciation for filmmaking craft. Coming from someone who’s known for stylized action and technical finesse, the praise feels particularly well-placed.
More than just a passing tweet, Sanjay Gupta’s post reflects a filmmaker’s genuine passion for cinema in all its forms. While he’s known for his own gritty, high-stakes storytelling in Bollywood, Gupta is also an open admirer of global filmmaking excellence. In championing F1, he’s not only amping up excitement for the movie’s Indian release but also reminding audiences that great cinema—no matter where it’s made—is worth showing up for in theaters.